ArtCult : Les actualités du marché de l'art .
Rechercher dans le site :
  Accueil
  Actualités
  Dossiers
  Marché de l'art
  Outils d'experts
  Communication
Filtres
Domaine

Sous-domaine


Recherche
Rechercher dans la page Résultats des ventes :
Rechercher dans le site :

Citation
Dieu fut à l'origine du monde. Courbet la peignit...

Actuellement
Dernieres petites annonces
15/10: UN MOMENT DE DECOUVERTE ARTISTIQUE
UN MOMENT DE DECOUVERTE ARTISTIQUE SUR ferse.hubside.frA très bientot sur le site!!! ...
24/07: RECHERCHE OEUVRES MAJEURES
We are a consulting firm of Art and Antiques, whose main activity is themanagement of p...
08/04: RECHERCHE OEUVRES D'ARTISTES ROUMAINS
Collectionneur recherche oeuvres importantes d'artistes roumains: Pascin, Janco, Maxy...
> Passer une annonce
Estimation d'oeuvre d'art
Envoyez nous une photographie accompagnée d'une description afin de bénéficer de notre expertise.
Soumettre une estimation

Lettre d'information
Entrez votre email pour souscrire à notre lettre d'information :

Résultats des ventes

Domaine :
Sous-domaine :
9889 titres
Page précédente 1810/9889
Retour Retour
«Waterloo Bridge, effet de brouillard»
Claude Monet
Nationalité : French
Date de vente : May 11th 1999
Pour accéder aux prix de vente, veuillez vous enregistrer.
Dimensions : 65.7 x 100.7 cm
Domaine : Peinture
Sous-domaine : Huile sur toile
signed and dated 1903, oil on canvas
Sotheby's New York. Monet's views of London painted in the first decade of this century are among the most popular of the series paintings to which he devoted most of his attention after 1900. Monet first visited London in 1870-71 when he fled Paris to avoid the Franco-Prussian war. He painted several views there but it was not until the end of 1899 that he embarked on an extended series of paintings that necessitated long visits to the capital. The first such stay took place in the autumn of 1899 and the artist set up his easels on the balcony of his room at the Savoy Hotel. This vantage point afforded him a view of both the Waterloo bridge to his left and the Charing Cross bridge with the Houses of Parliament in the distance to his right. During his last visit in 1901, Monet worked almost entirely on views of Waterloo Bridge. He was particularly absorbed by the dense atmosphere created by the combination of fog and industrial pollution caused by the smokestacks on the far bank. He loved London, much more than the countryside, as in his eyes it was a mass and an ensemble so simple. He also loved the fog and London in the winter for he thought that without the fog London would not be a beautiful city. Monet did not paint in London after 1901 although he continued to work on the London series in his studio at Giverny until April 1904. This painting was sold well over its estimate of between US $ 4 and 6 million.
Mentions légales Conditions d'utilisation Rédaction Annonceurs Plan du site
Login : Mot de passe ArtCult - Réalisé par Adrian Darmon