Christie's
International, the world's leading art business, announced that their 2009
sales totaled £2.1 billion/$3.3 billion*, a 24% decrease in pound sterling (35% decrease in $) over 2008 sales.
In 2009,
Christie's achieved 56.4% global auction sales market share against its main
competitor and sold 61% of the works sold over $10 million and 60% of the lots
sold over $5 million. Christie's sold 4 of the top 5 and 7 of the top 10 works
of art sold during the year. For the year, Christie's sold a total of 381
works of art at auction for more than $1 million. The market clearly
demonstrated sustained demand for genuinely rare masterpieces, works fresh to
the market and works of great provenance.
While
sales volumes decreased on previous years, the stability of the art market and
the appetite of the global buying audience were demonstrated by a significant
increase in average auction sold rates by lot. In 2009, average auction
sold rates rose 5% to 80% from 75% last year. The % of lots sold at or
above high estimate also increased to 36%, illustrating sustained price levels
and the continued intrinsic value of art.
“2009 was
a remarkable year for Christie's,”
said Edward Dolman, CEO of Christie's International. “Despite the
wider economic environment, the art market maintained momentum and Christie's
continued its leadership across the globe, taking market share against its closest
competitor, and selling the most expensive lot of the year, Head of a muse by
Raphael for £29.2 million ($47.9 million €32.2 million), a world record price
for any work on paper, the 2nd highest price for any Old Master
painting or drawing and a world record price for the artist at auction.
In addition, an astonishing record was set by the sale of the Collection of
Yves Saint Laurent and Pierre Bergé, the highest grossing single owner
collection sale ever presented.”
In 2009,
Christie's private sales activity grew by 3% to 12.5% as a percentage of its
global art sales year-on-year, demonstrating the significance of this channel
as an increasingly important, discreet route to the market and Christie's
ability to quickly match rare works of art to new owners throughout the world
and deliver results.
“The
market outlook is confident and is underpinned by the returning dominance of
private buyers, from the Americas, the Middle East, as well as Mainland China
and Asia,” said Mr. Dolman. “The
continuing growth and global nature of the art market is also evident in the
number of new buyers in Christie's sales worldwide. In particular, in
2009, the value bought by Chinese buyers worldwide in Christie's sales
increased by 94%. Within the Greater China region (Hong Kong, Taiwan and
China), Chinese buyers now represent 35% of all buying value, an increase of
20% over 2008. Russian buyers spent less than in 2008 across all
departments, but the number of lots they bought increased by 13%. In
addition, registrations from the clients in the Middle East increased by almost
30%, the highest increase of any geographic region.”
Christie's
continues to differentiate itself from its competitors by leading the art
market internationally and offering the broadest international service to
clients at differing price levels and sale locations. Christie's
investment in innovation provides new and existing audiences access to the art
market. Online bidding via Christie's LIVETM continued to deliver a
large number of winning bids and new registrants and in 2009, 30% of all bids and 14% of all winning bids came in
through online channels. Winning bidders participating online increased by 40%
on 2008. In 2009, $68.4 million (£43.5 million) was bid online including
premium and Christie's LIVE™ generated 49,343 accepted bids for the year.
Mr.
Dolman concluded:“Christie's is committed to providing the leading art
sales platform globally, offering unparalleled expertise combined with the
highest standards of innovation. Despite 2009 being a demanding year, we
remain in a strong financial position and well positioned to capitalize on the
continuing art market recovery and the growth potential of Asia, the Middle
East and Russia.”
Christie's
International, the world's leading art business, announced that their 2009
sales totaled £2.1 billion/$3.3 billion*, a 24% decrease in pound sterling (35% decrease in $) over 2008 sales.
In 2009,
Christie's achieved 56.4% global auction sales market share against its main
competitor and sold 61% of the works sold over $10 million and 60% of the lots
sold over $5 million. Christie's sold 4 of the top 5 and 7 of the top 10 works
of art sold during the year. For the year, Christie's sold a total of 381
works of art at auction for more than $1 million. The market clearly
demonstrated sustained demand for genuinely rare masterpieces, works fresh to
the market and works of great provenance.
While
sales volumes decreased on previous years, the stability of the art market and
the appetite of the global buying audience were demonstrated by a significant
increase in average auction sold rates by lot. In 2009, average auction
sold rates rose 5% to 80% from 75% last year. The % of lots sold at or
above high estimate also increased to 36%, illustrating sustained price levels
and the continued intrinsic value of art.
“2009 was
a remarkable year for Christie's,”
said Edward Dolman, CEO of Christie's International. “Despite the
wider economic environment, the art market maintained momentum and Christie's
continued its leadership across the globe, taking market share against its closest
competitor, and selling the most expensive lot of the year, Head of a muse by
Raphael for £29.2 million ($47.9 million €32.2 million), a world record price
for any work on paper, the 2nd highest price for any Old Master
painting or drawing and a world record price for the artist at auction.
In addition, an astonishing record was set by the sale of the Collection of
Yves Saint Laurent and Pierre Bergé, the highest grossing single owner
collection sale ever presented.”
In 2009,
Christie's private sales activity grew by 3% to 12.5% as a percentage of its
global art sales year-on-year, demonstrating the significance of this channel
as an increasingly important, discreet route to the market and Christie's
ability to quickly match rare works of art to new owners throughout the world
and deliver results.
“The
market outlook is confident and is underpinned by the returning dominance of
private buyers, from the Americas, the Middle East, as well as Mainland China
and Asia,” said Mr. Dolman. “The
continuing growth and global nature of the art market is also evident in the
number of new buyers in Christie's sales worldwide. In particular, in
2009, the value bought by Chinese buyers worldwide in Christie's sales
increased by 94%. Within the Greater China region (Hong Kong, Taiwan and
China), Chinese buyers now represent 35% of all buying value, an increase of
20% over 2008. Russian buyers spent less than in 2008 across all
departments, but the number of lots they bought increased by 13%. In
addition, registrations from the clients in the Middle East increased by almost
30%, the highest increase of any geographic region.”
Christie's
continues to differentiate itself from its competitors by leading the art
market internationally and offering the broadest international service to
clients at differing price levels and sale locations. Christie's
investment in innovation provides new and existing audiences access to the art
market. Online bidding via Christie's LIVETM continued to deliver a
large number of winning bids and new registrants and in 2009, 30% of all bids and 14% of all winning bids came in
through online channels. Winning bidders participating online increased by 40%
on 2008. In 2009, $68.4 million (£43.5 million) was bid online including
premium and Christie's LIVE™ generated 49,343 accepted bids for the year.
Mr.
Dolman concluded:“Christie's is committed to providing the leading art
sales platform globally, offering unparalleled expertise combined with the
highest standards of innovation. Despite 2009 being a demanding year, we
remain in a strong financial position and well positioned to capitalize on the
continuing art market recovery and the growth potential of Asia, the Middle
East and Russia.”