Sales featuring property from the Collection of Sidney and Bernice  Clyman achieved,
    $16 million across four auctions held during Sotheby's marquee   auction week in New York until July 1,  2020.
   
  
    Leading the collection was a Fang-Betsi Ancestor Head, which  sold for $3.5 million (estimate $2.5/4 million) in the Contemporary Art Evening Auction on Monday night during  Sotheby's global livestreamed auction event.
    It was the first time that one of the most important works of  African Art ever to appear at auction, was presented in any contemporary art  evening sale. The stunningly elegant female head from a reliquary ensemble  expresses the universal artistic ideas developed by pre-Colonial African artists, which were transmitted to  modern Western masters in the early 20th century, including Constantin Brâncuși and Amadeo Modigliani. This  artistic connection is particularly obvious in the latter's famous stone head sculptures.
     
    The first known Western owner was Charles Ratton, the  Parisian doyen of African art dealers and connoisseurs who handled many of the most revered masterpieces in the  field. Ratton published the head in 1931 in Masques Africains, an important work in establishing the  canon of great African art. In the 1930s, the head was acquired from Ratton by James Johnson Sweeney, the  visionary American modern art curator and writer who, with the assistance of Ratton, organized the  legendary 1935 exhibition African Negro Art at the Museum of Modern Art in New York. Sweeney kept the head in his Mies  van der Rohe designed New York apartment along with his small but exquisite collection of modern art,  which included major works by Miró, Mondrian, and Calder. When Sweeney's estate was sold at Sotheby's in New  York in 1986, the head was acquired by William McCarty-Cooper, who had inherited art historian and collector  Douglas Cooper's fabled collection of Picassos and other Cubist works. The sculpture last appeared on the  market in 1992 when the Clymans  acquired it at auction  in New York.
     
  The Contemporary Art Evening Auction also featured two other  works from the Clyman Collection: Untitled (Virginia Landscape) by Arshile Gorky, which sold for  $956,000 (estimate $600,000/1 million) and Willem de Kooning's Seated Man (Clown), which achieved an above  estimate price of $2.4 million (estimate 1-2 million)
    
  One of the finest collections of Sub-Saharan  African Art in the world and one of the last remaining ensembles from the golden age of African Art collecting in the US  during the 1960s and 70s, African Art from the Collection of Sidney and Bernice Clyman totaled $4.6 million  surpassing its high estimate by $1 million. All but one of the 32 lots found buyers, accounting for a  strong sell through rate of 97% with over 70% of all sold lots selling above estimates.
    
  
  The collection was led by a large and radically abstract  Mahongwe Reliquary Figure (above, estimate $500/ 700,000) from Gabon, which after a bidding battle between  three amateurs, doubled its high estimate to sell for  $1.4 million. This  price doubled the previous record, establishing a new world auction record for  a Mahongwe sculpture. Other highlights included a masterpiece  by the greatest of all Kota artists, a Reliquary Figure by the Sebe River Master of the Skull Head (estimate  $500/700,000), which was previously in the legendary collections of Charles Ratton, Morris J. Pinto, and  Murray Frum, and sold for $560,000.
    In addition to the Fang-Betsi Ancestor Head, a full-figured  cubistic Fang Reliquary Statue 
    (estimate $250/350,000), previously in the collection of  Gaston de Havenon sold for $475,000.