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CHARDIN RETROSPECTIVE IN PARIS
01 September 1999


Cet article se compose de 5 pages.
1 2 3 4 5

Boy Playing with Cards (1740)

Afterwards Chardin was regarded as a traditionalist master with Poussin and the Le Nain brothers and in 1937, Aragon, the Surrealist poet, described him as being a true French painter, perhaps the first in the history of art as a result of his realistic touch. In addition, Aragon regarded him as a revolutionary artist well ahead of the French Revolution of 1789 as he limited himself to painting simple subjects and members of the bourgeois circles going therefore against the interests of the aristocracy.

It finally appears that Chardin had no real influence over modern artists excepted Jean Hélion who seemed much inspired by his self-portrait and worked after this pastel after discovering it during the 1979 retrospective.

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