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SUICIDE/TATOO SALVATION
01 August 1999


Cet article se compose de 2 pages.
1 2
Ron Athey, the pope of body art, presented in Paris on August 21st 1999 his "Suicide/Tatoo Salvation" and "Saint Sebastian/Zen gardens" and "The Solar Anus" ritual plays of suffering body.

Twenty years after neo-primistim was vulgarised by the punk movement in London and after ecologist piercing fashion, certain artists continue to use their bodies as the instrument of some violent refusal expression. Shocked by his positive Aids test, Ron Athey has tried to readapt his body and the pain caused by his illness to produce ritual performances during which he is
wearing a crown made of pins, stitching his lips, piercing his cheeks or his chest and lacerating his body with razor blades.

Ron Athey's life started in December 1961 in a Connecticut naval base where his father was on active service. He had a schizophrenic mother who spent several times in a mental clinic.

"She was prone to have mystical and obscene fits. When I was 18 months she went to live with her mother and her sister and I was raised among women in Pomona, California," he told the Paris daily "Liberation".

Ron Athey first thought about becoming a Protestant minister but his grand-mother and aunt were a bit too mystical and he felt isolated with no friend forced by these mad women to prey most of the day or to fast several times during the week. "At 15 I had a girl friend to whom I would deliver my family's prophecies and she soon thought I was totally crazy. My life suddenly crumbled and I quickly lost my illusions while my relations with men intensified," he added.

Ron Athey spent his youth taking all sorts of drugs such as LSD, marijuana or PCP and frequented a Vietnam war veteran who was much addicted to drugs. "I had no barrier and when I bought a record by the Parliament/Funkadelik group my mad grandma and aunt told me there was no question of having black music at home. At 17, I met Rozz Williams of the Christian Death Punk group and became his boy friend - he hanged himself on April 1st this year. At that time I used to read books by Burroughs, Genet, Selby, Ginsberg and Gysin which gave me the strength to leave my family in 1979 and not to see it again since. In 1980, under the influence of Johanna Went who was using sexual organs and objets on an industrial music sound background I soon discovered that I did not need to play the guitar or sing to express my life's nightmare," he stressed.

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