Despite five artist
records set and a 315.4 million USD total, Sotheby's sale of Impressionist and
Modern art was not as successful as expected since Marsden Hartley's Pre-War
Pageant (1913), estimated at about 30 million did not reach
the 24 million reserve price, which seemed exaggerated in view of the fact that
the artist's record set at Christie's in 2008 for « Lighthouse »
(1915) only stood at 6.3 million.
Of the 65 lots in the
evening's sale 15 were bought in, with Sotheby's achieving a sell-through rate
of 77 percent. However, the auction house recorded some good results, notably
for Rene Magritte's Le Principe du Plaisir (1937
which fetched a record price of 26.8 million with premium against a15 million to 20
million
Egon Schiele's Dämmernde
Stadt (Die Kleine Stadt II) (City in Twilight (The Small City II)) (1913),
a townscape of his mother's birthplace surpassed its 18 million high estimate to
reach 24.6 million with premium.
One of two works
appearing in the sale after being restituted to the heirs of German art dealer
Alfred Flechtheim earlier this year, Oskar Kokoschka's Joseph
de Montesquiou-Fezensac (1910) quintupled the artist's
previous auction record with a 20.4 million USD bid. The other work was Ernst Ludwig Kirchner's Das Soldatenbad (Artillerymen), which
sold for nearly 22 million.
Wassily Kandinsky's Improvisation
Auf Mahogoni (Improvisation on Mahogany) (1910) which made its first
appearance at auction with a $15 million to $20 million estimate sold
for 24.2 million with premium. This work was one of three Kandinsky paintings
to sell beyond the 20 million mark
during the sale. On the
Theme of the Last Judgment (1913) went for 22.9 million, and Le
Rond Rouge (1939) was hammered down at 20.6 million with
premium.
Acquired in 2001 at Sotheby's London for
1.1 million, a double-sided work by Ludwig Meidner, featuring Apokalytpische
Landschaft (Apocalyptic Landscape) on the recto,and Junger
Mann Mit Strohhut (Young Man with Straw Hat) on the
verso (both 1912) fetched a record bid of 14.1 million with premium while Rufino Tamayo's Paisaje
Del Paricutín (Volcán en Erupción) more
than doubled its estimate to
culminate at a hammer price of 3.4 million.
The main lesson of the evening was that
only exceptional pieces were much coveted by buyers.